Right! here are some transcripts!
Nov. 7th, 2010 02:04 amIt's Daylight savings time! So just in time to erase this past hour of extra time, I give you transcripts of the two unreleased TARDIS scenes from the series 5 box set. Does it count as wasting time if I immediately get that time back? ;)
Transcript: scene 1 between Eleventh Hour and Beast Below
[Amy and the Doctor are at the TARDIS console.]
A: Why is it a phone box?
D: Sorry, what?
[Amy walks around the console toward the Doctor, talking all the way.]
A: On the outside it said 'Police Box'. Why have you labeled a time machine 'Police Box'? Why not 'Time Machine'? Is that too obvious? And what is a police box? Do policemen come in--in boxes? How many do you get? Are you a policeman? No, look at your hair. Actually, just look at your hair! Do you ever look at your hair and think, "Whoaaaa! It just won't stop! And my chin! Look, I'm wearing a bow tie, shoot me now!" Am I gabbling?
D: A bit, yeah.
A: The question stands.
D: The first question?
A: Yes.
D: Well, it's not really a police box--which, by the way, is a special kind of telephone box that policemen used to use.
A: Right, telephone box. Theres a light on the top--do you need to change the bulb?
D: Amy, stop. Breath.
[Amy takes a few breaths until she can't contain her question anymore.]
A: Why doesn't the air get out? It's made of wood! Oh, you've got a wooden time machine--do you feel stupid?
[the Doctor stares at her.]
A: Sorry, back on the bow tie.
D: It's camouflage. It's disguised as a police telephone box from 1963. Every time the TARDIS materializes in a new location, within the first nanosecond of landing, it analyzes its surroundings, calculates a twelve-dimensional data map of everything within a thousand mile radius, and determines which outer shell would blend in best with the environment. And then it disguises itself as a police telephone box from 1963.
A: Oh. Why?
D: It's probably a bit of a fault, actually. I--I've been meaning to check.
A: What, it's a police box every time?
D: Yeah, I suppose, now you mention.
A: How long has it been doing that?
D: Oh, you know, not long.
A: Okay, okay--But what about the windows? There are windows on the outside. Where do they go? Is it a cry for help?
D: What?
A: The bow tie!
D: Ah. Bow ties are cool.
A: And you're an alien.
D: Yeah. Well, in your terms, yeah. In my terms, you're an alien. In quite a few people's terms, probably.
A: What kind of alien?
D: Well, you know. A nice one--definitely one of the nice ones.
A: So you're like a--a space squid or something? Are you like a tiny little slug in a human suit? Is that why you walk like that?
D: Amy, this is me.
[The Doctor takes Amy's hands and puts them to his cheeks]
D: This is what I really look like!
A: Well, that's fine then!
[Amy slaps the Doctor's cheek]
D: Ow! Good!
[The Doctor walks around the console. Amy follows]
A: Okay, okay. I think I'm done there.
D: Ha-ha, Amy Pond.
[The Doctor pulls a lever, mischievously]
D: You've barely started.
[The Doctor throws another lever and darts for the TARDIS doors as Amy follows].
D: 'Cause do you know what I keep in here?
[The Doctor stands with the doors at his back]
A: What?
D: Absolutely everything.
[The Doctor slowly opens the doors to nebulae and galaxies. Amy stares, mesmerized.]
D: Anything take your fancy?
A: We're in space.
D: Yeah. That's space.
A: But it can't be.
D: But it is.
A: But it's like--It's like--It's like special effects.
D: Like what?
A: I guess so, isn't it? It's not real.
D: Get out.
A: What?
D: No, seriously. Get out!
[The Doctor pushes Amy out the open door.]
Notes: 2 lines that I'm unsure about. The Doctor says either "Yeah. That's space," or "No. That's space," in that line toward the end; he flicks his eyes to the door indicating the outside and I'm not sure if he's being especially flippant or not, eg, they are actually in the TARDIS and out there is space. And then Amy says something like "I guess so, isn't it? It's not real." But I am guessing on "I guess so" -- it might be "like a show" or something like that
Transcript: scene 2 between Time of Angels and Vampires of Venice
[Amy flounces up to the console and leans seductively against it. The Doctor reaches around her like she's a monster about to bite him, and pulls a lever, then rounds the console, fiddling with things.]
A: Oh, typical bloke! Straight to fixing his motor.
D: Yeah, that's the thing, Amy. I am not a 'typical bloke'.
A: Sorry, did I do something wrong? 'Cause I'm getting kinda mixed signals here.
[Amy pulls a lever emphatically. The TARDIS clangs. The Doctor comes around and throws the lever back. The TARDIS clangs again]
D: Mixed signals? How?
A: Oh, come on! You turn up in the middle of the night, get me out of my bed in my nightie--which you then don't let me change out of, for ages-- and take me for a spin in your time machine! No, no. You're right. No mixed signals there. That is just a signal. Like a great big bat signal in the sky: 'Get your coat, love. The Doctor is in.'
D: No. No! No, no, no, no, no, no, no, it's . . . not like that. That's not what I'm like!
A: Then what are you like?
D: I don't know. Gandalf. A space Gandalf. Or the little green one in Star Wars.
[The Doctor makes a light saber noise and spins against an imaginary foe]
A: You really are not. You are a bloke.
D: I'm the Doctor.
A: Every room you walk into, you laugh at all the men and show off to all the girls.
D: Do not.
A: What about Rory?
[The Doctor laughs and mimes Rory's rather prominent nose again]
A: You laughed!
D: No! That was just an involuntary snort! Of . . . fondness.
[Amy scoffs]
A: You are a bloke. And you don't know it. And here I am, to help.
[Amy tries to kiss the Doctor again and he backs away]
D: That is not why you're here.
A: Then why am I here?
D: Because! Because I can't see it anymore.
[The Doctor breaks away from Amy and sits down on the jump seat, leaving her at the console]
A: See what?
D: I'm nine hundred and seven. After a while, you just can't see it.
A: See what?
D: Everything! I look at a star and it's just a big ball of burning gas. And I know how it began, and I know how it ends, and I was probably there both times. Now, after a while, everything is just stuff! That's the problem. You make all of space and time your back yard, and what do you have? A back yard.
[The Doctor gets up and crosses to Amy again]
D: But you--you can see it. And when you see it, I see it.
A: And that's the only reason you took me with you.
D: There are worse reasons.
A: I was certainly hoping so.
[Amy walks away from the Doctor and stops, an idea dawning on her.]
A: Does that mean I'm not the first then? There have been others traveling with you?
D: Yeah. Sure. Loads of them. But just friends! You know--chums, pals, mates, buddies--not mates. Forget mates.
A: And out of all those friends, how many would you say--just out of curiosity--were girls?
D: Oh. Some of them, I suppose. Must've been.
A: Some?
D: It's hard to tell. It's a gray area.
A: Under half? Over half?
D: Probably. . . slightly . . . a little bit over?
A: Young?
D: Everyone's young compared to me.
A: Mm-hmmm. Hot?
D: No! No, no, no, no, no. None of them. Not really. Not at all. Probably not.
[The Doctor pauses, waving a hand noncommittally.]
D: Maybe one or two. I didn't really notice.
A: Well, this big old machine must have some kind of visual records.
D: Oh, don't--I mean, no. And anyway, they're voice locked.
A: Oh. Voice locked. So I would just have to say . . . 'Show me all visual records of previous TARDIS inhabitants'.
D: No. No, no, no. I mean, voice locked. I would have to say, 'Show me all visual records of previous TARDIS inhabitants'.
A: Oh, thank you!
D: No! No! Nooo! Nooo!
A: Ha-ha!
[A visual record of past companions flashes across the screen. They are all pretty young women. Folks with better vid capture and Old School smarts than I can give y'all the list. ETA:
maggietimelord comes through! here is a link to the set ;)]
A: Oh! Gandalf!
[The Doctor slaps Amy's hand lightly and addresses the TARDIS by talking at the ceiling.]
D: Thanks. Thanks, dear! Miss out the metal dog, why don't you?
A: Is that a leather bikini?
[A few shots of Leela flash across the screen. The Doctor smiles, then catches himself.]
D: Right! That's it! Rory. We're going to find Rory, and we're going to find him now.
A: He's at stag night!
D: Well, then. Let's make it a great one.
[The Doctor pulls a lever and the TARDIS careens off into the Vortex.]
I started these because I wanted to pick out favorite quotes. Specifically the bits about the TARDIS calculating the best camouflage and then always disguising itself as a police box. overall, I love these scenes both to death. :D
Transcript: scene 1 between Eleventh Hour and Beast Below
[Amy and the Doctor are at the TARDIS console.]
A: Why is it a phone box?
D: Sorry, what?
[Amy walks around the console toward the Doctor, talking all the way.]
A: On the outside it said 'Police Box'. Why have you labeled a time machine 'Police Box'? Why not 'Time Machine'? Is that too obvious? And what is a police box? Do policemen come in--in boxes? How many do you get? Are you a policeman? No, look at your hair. Actually, just look at your hair! Do you ever look at your hair and think, "Whoaaaa! It just won't stop! And my chin! Look, I'm wearing a bow tie, shoot me now!" Am I gabbling?
D: A bit, yeah.
A: The question stands.
D: The first question?
A: Yes.
D: Well, it's not really a police box--which, by the way, is a special kind of telephone box that policemen used to use.
A: Right, telephone box. Theres a light on the top--do you need to change the bulb?
D: Amy, stop. Breath.
[Amy takes a few breaths until she can't contain her question anymore.]
A: Why doesn't the air get out? It's made of wood! Oh, you've got a wooden time machine--do you feel stupid?
[the Doctor stares at her.]
A: Sorry, back on the bow tie.
D: It's camouflage. It's disguised as a police telephone box from 1963. Every time the TARDIS materializes in a new location, within the first nanosecond of landing, it analyzes its surroundings, calculates a twelve-dimensional data map of everything within a thousand mile radius, and determines which outer shell would blend in best with the environment. And then it disguises itself as a police telephone box from 1963.
A: Oh. Why?
D: It's probably a bit of a fault, actually. I--I've been meaning to check.
A: What, it's a police box every time?
D: Yeah, I suppose, now you mention.
A: How long has it been doing that?
D: Oh, you know, not long.
A: Okay, okay--But what about the windows? There are windows on the outside. Where do they go? Is it a cry for help?
D: What?
A: The bow tie!
D: Ah. Bow ties are cool.
A: And you're an alien.
D: Yeah. Well, in your terms, yeah. In my terms, you're an alien. In quite a few people's terms, probably.
A: What kind of alien?
D: Well, you know. A nice one--definitely one of the nice ones.
A: So you're like a--a space squid or something? Are you like a tiny little slug in a human suit? Is that why you walk like that?
D: Amy, this is me.
[The Doctor takes Amy's hands and puts them to his cheeks]
D: This is what I really look like!
A: Well, that's fine then!
[Amy slaps the Doctor's cheek]
D: Ow! Good!
[The Doctor walks around the console. Amy follows]
A: Okay, okay. I think I'm done there.
D: Ha-ha, Amy Pond.
[The Doctor pulls a lever, mischievously]
D: You've barely started.
[The Doctor throws another lever and darts for the TARDIS doors as Amy follows].
D: 'Cause do you know what I keep in here?
[The Doctor stands with the doors at his back]
A: What?
D: Absolutely everything.
[The Doctor slowly opens the doors to nebulae and galaxies. Amy stares, mesmerized.]
D: Anything take your fancy?
A: We're in space.
D: Yeah. That's space.
A: But it can't be.
D: But it is.
A: But it's like--It's like--It's like special effects.
D: Like what?
A: I guess so, isn't it? It's not real.
D: Get out.
A: What?
D: No, seriously. Get out!
[The Doctor pushes Amy out the open door.]
Notes: 2 lines that I'm unsure about. The Doctor says either "Yeah. That's space," or "No. That's space," in that line toward the end; he flicks his eyes to the door indicating the outside and I'm not sure if he's being especially flippant or not, eg, they are actually in the TARDIS and out there is space. And then Amy says something like "I guess so, isn't it? It's not real." But I am guessing on "I guess so" -- it might be "like a show" or something like that
Transcript: scene 2 between Time of Angels and Vampires of Venice
[Amy flounces up to the console and leans seductively against it. The Doctor reaches around her like she's a monster about to bite him, and pulls a lever, then rounds the console, fiddling with things.]
A: Oh, typical bloke! Straight to fixing his motor.
D: Yeah, that's the thing, Amy. I am not a 'typical bloke'.
A: Sorry, did I do something wrong? 'Cause I'm getting kinda mixed signals here.
[Amy pulls a lever emphatically. The TARDIS clangs. The Doctor comes around and throws the lever back. The TARDIS clangs again]
D: Mixed signals? How?
A: Oh, come on! You turn up in the middle of the night, get me out of my bed in my nightie--which you then don't let me change out of, for ages-- and take me for a spin in your time machine! No, no. You're right. No mixed signals there. That is just a signal. Like a great big bat signal in the sky: 'Get your coat, love. The Doctor is in.'
D: No. No! No, no, no, no, no, no, no, it's . . . not like that. That's not what I'm like!
A: Then what are you like?
D: I don't know. Gandalf. A space Gandalf. Or the little green one in Star Wars.
[The Doctor makes a light saber noise and spins against an imaginary foe]
A: You really are not. You are a bloke.
D: I'm the Doctor.
A: Every room you walk into, you laugh at all the men and show off to all the girls.
D: Do not.
A: What about Rory?
[The Doctor laughs and mimes Rory's rather prominent nose again]
A: You laughed!
D: No! That was just an involuntary snort! Of . . . fondness.
[Amy scoffs]
A: You are a bloke. And you don't know it. And here I am, to help.
[Amy tries to kiss the Doctor again and he backs away]
D: That is not why you're here.
A: Then why am I here?
D: Because! Because I can't see it anymore.
[The Doctor breaks away from Amy and sits down on the jump seat, leaving her at the console]
A: See what?
D: I'm nine hundred and seven. After a while, you just can't see it.
A: See what?
D: Everything! I look at a star and it's just a big ball of burning gas. And I know how it began, and I know how it ends, and I was probably there both times. Now, after a while, everything is just stuff! That's the problem. You make all of space and time your back yard, and what do you have? A back yard.
[The Doctor gets up and crosses to Amy again]
D: But you--you can see it. And when you see it, I see it.
A: And that's the only reason you took me with you.
D: There are worse reasons.
A: I was certainly hoping so.
[Amy walks away from the Doctor and stops, an idea dawning on her.]
A: Does that mean I'm not the first then? There have been others traveling with you?
D: Yeah. Sure. Loads of them. But just friends! You know--chums, pals, mates, buddies--not mates. Forget mates.
A: And out of all those friends, how many would you say--just out of curiosity--were girls?
D: Oh. Some of them, I suppose. Must've been.
A: Some?
D: It's hard to tell. It's a gray area.
A: Under half? Over half?
D: Probably. . . slightly . . . a little bit over?
A: Young?
D: Everyone's young compared to me.
A: Mm-hmmm. Hot?
D: No! No, no, no, no, no. None of them. Not really. Not at all. Probably not.
[The Doctor pauses, waving a hand noncommittally.]
D: Maybe one or two. I didn't really notice.
A: Well, this big old machine must have some kind of visual records.
D: Oh, don't--I mean, no. And anyway, they're voice locked.
A: Oh. Voice locked. So I would just have to say . . . 'Show me all visual records of previous TARDIS inhabitants'.
D: No. No, no, no. I mean, voice locked. I would have to say, 'Show me all visual records of previous TARDIS inhabitants'.
A: Oh, thank you!
D: No! No! Nooo! Nooo!
A: Ha-ha!
[A visual record of past companions flashes across the screen. They are all pretty young women. Folks with better vid capture and Old School smarts than I can give y'all the list. ETA:
A: Oh! Gandalf!
[The Doctor slaps Amy's hand lightly and addresses the TARDIS by talking at the ceiling.]
D: Thanks. Thanks, dear! Miss out the metal dog, why don't you?
A: Is that a leather bikini?
[A few shots of Leela flash across the screen. The Doctor smiles, then catches himself.]
D: Right! That's it! Rory. We're going to find Rory, and we're going to find him now.
A: He's at stag night!
D: Well, then. Let's make it a great one.
[The Doctor pulls a lever and the TARDIS careens off into the Vortex.]
I started these because I wanted to pick out favorite quotes. Specifically the bits about the TARDIS calculating the best camouflage and then always disguising itself as a police box. overall, I love these scenes both to death. :D
no subject
Date: 2010-11-07 07:43 am (UTC)no subject
Date: 2010-11-07 04:01 pm (UTC)no subject
Date: 2010-11-07 08:04 am (UTC)no subject
Date: 2010-11-07 04:03 pm (UTC)no subject
Date: 2010-11-07 08:53 am (UTC)So thank you again from all Russian whovians :)
no subject
Date: 2010-11-07 04:05 pm (UTC)no subject
Date: 2010-11-07 12:55 pm (UTC)no subject
Date: 2010-11-07 04:07 pm (UTC)no subject
Date: 2010-11-07 01:43 pm (UTC)PS. Just rewatched the famous scenes with the coat on, and then off.....totally awesome from the perspective of the rest of the season now. Whee!
Anyway, I do adore these deleted scenes. First of all, Amy Pond is good, very good. And I love the bit about the TARDIS perhaps having a small issue with police phone boxes. Heh heh heh.
no subject
Date: 2010-11-07 04:22 pm (UTC)I may now have watched those little scenes waaay more times than is healthy. :D
no subject
Date: 2010-11-07 04:24 pm (UTC)PS. I was unaware there was an unhealthy amount of times to watch those scenes? *veg*
PPS. I'm actually going to have to buy the DVDs of this season.
no subject
Date: 2010-11-07 08:52 pm (UTC)no subject
Date: 2010-11-07 09:10 pm (UTC)no subject
Date: 2010-11-07 09:19 pm (UTC)no subject
Date: 2010-11-07 09:28 pm (UTC)no subject
Date: 2010-11-07 09:32 pm (UTC)no subject
Date: 2010-11-07 09:34 pm (UTC)no subject
Date: 2010-11-07 09:36 pm (UTC)no subject
Date: 2010-11-07 05:36 pm (UTC)http://picasaweb.google.com/PAMPhotographer/Girls?feat=directlink
no subject
Date: 2010-11-07 05:39 pm (UTC)no subject
Date: 2010-11-07 05:42 pm (UTC)no subject
Date: 2010-11-07 06:11 pm (UTC)I did check the background when Amy is talking about Rory's Stag party. It's the same sequence of faces in the same order.
I like how the tardis shows a lot of pictures of Leela. I think she's teasing the Doctor or making a point. lol
no subject
Date: 2010-11-07 06:13 pm (UTC)no subject
Date: 2010-11-07 06:14 pm (UTC)no subject
Date: 2010-11-07 06:26 pm (UTC)no subject
Date: 2010-11-07 06:33 pm (UTC)no subject
Date: 2010-11-07 06:34 pm (UTC)no subject
Date: 2010-11-07 06:36 pm (UTC)no subject
Date: 2010-11-07 06:39 pm (UTC)no subject
Date: 2010-11-07 06:41 pm (UTC)no subject
Date: 2010-11-07 06:28 pm (UTC)no subject
Date: 2010-11-07 06:14 pm (UTC)Darn it!!! You'll have to redo the link. I changed the album name and that messed it up.
no subject
Date: 2010-11-07 06:19 pm (UTC)no subject
Date: 2010-11-07 06:15 pm (UTC)So, he's still a compulsive liar, and he's still sensitive about Donna. Bless.
no subject
Date: 2010-11-07 06:19 pm (UTC)no subject
Date: 2010-11-08 02:52 am (UTC)no subject
Date: 2010-11-07 07:21 pm (UTC)May I ask you a little question? I'm afraid I don't quite understand the line "Do policemen come in--in boxes? How many do you get?". Can some native speaker explain me what Amy means? Does she mean that policemen walk into a box?
Thanks in advance :)
no subject
Date: 2010-11-07 07:31 pm (UTC)no subject
Date: 2010-11-07 07:37 pm (UTC)no subject
Date: 2010-11-07 07:55 pm (UTC)no subject
Date: 2010-11-07 08:20 pm (UTC)no subject
Date: 2010-11-07 08:22 pm (UTC)no subject
Date: 2010-11-07 09:08 pm (UTC)I don't believe the boxes survived in large groups after the 70's. There are still some in the UK but I don't think I've seen pictures of blue ones unless they were definitely painted to look like the one in Doctor Who.
When the show started in 1963, they would have been common enough to be in the yard.
I agree with the answer that she's asking how many policemen are in a police box. Like asking, how many shoes fit in a shoe box. Or, how many chocolates are in a candy box?
sliiight tl;dr XD
Date: 2010-11-08 02:38 am (UTC)In other news, that second scene is just AMAZING. There needs to be more scenes like this, I think, because there is something a little off about 11's people-collecting and I love the subtle attention Moff's been paying to the unhealthy aspect of Doctor/companion ("Friends? Is that the right word for the people you acquire?" & "You have no idea how dangerous you make people to themselves when you're around" in particular come to mind here :)).
Re: sliiight tl;dr XD
Date: 2010-11-08 02:55 am (UTC)